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ARTHUR A J WESTLAKE's avatar

Jim stared at me and muttered. "Why won't you buy an electric car. You could save on fuel."

" It's not much of a saving, when my old car is still ok" I replied.

"It's unreliable uncle. You could buy a second hand all electric car. Charge it at home and know there is nothing to go wrong."

"My old diesel car has done 100 thousand miles and most people know that a diesel engine is good for about 200 thousand. Can you tell me how many miles will be left in the battery of a second hand electric car?"

"What if we have a power cut and I can't charge it."

"If there is a power cut, you won't be able to buy diesel for your car either." Jim laughed.

"That's where you are wrong Jim. I have cash in the house and if the internet goes down I can still buy fuel and of course food."

"That's a very old way of thinking Uncle" said Jim begrudgingly.

"Jim. I have been around a long time. We had power cuts in the 70s and lost power on a rotation basis.

The thing is that back then computers didn't control anything much. Now that they do. If we all just use credit cards and electric cars. When the power goes off. We can't go anywhere, buy anything or even call anyone. It would be too late to go to the bank and withdraw money if they haven't got power either. Don't you realise without cash. The state can control what you have and where you go. For every pound you spend on your card. The shop pays a fee to the bank for the machine. It is in the banks interest to get rid of cash."

"I think you are a paranoid old man" laughed Jim. "We will see"

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Denarii Peters's avatar

Last week I went to see a wildlife film at the Kinema in the Woods (Woodhall Spa, Lincs.), “Heart of an Oak”, a French film by Laurent Chabonnier and Michel Seydoux. It was beautiful, moving and in places quite exciting, though I did wonder about the film makers and the dilemmas they must have faced during production. Should they be true to nature or true to their narrative? Is it more important to educate or entertain? Can you do both when your subject is reality and the world contains prey as well as predators?

There were several sequences where smaller animals fled from larger ones, including an amazing chase where a tiny jay fled from a goshawk. The audience were all on the same side: we had lived through this little one’s romance, nest building and sitting with his mate in the pouring rain. Had the goshawk caught him… Well, would the truth have got in the way of the audience’s appreciation? Could it have cost the cinematographers in terms of repeat viewings and recommendations?

Yet… I sit here thinking we saw the squirrel but not her young. Was that because something went wrong? We saw field mice rescuing each other out of tunnels between roots flooded in a storm. Did none of them drown? The goshawk, the owl, the fox, the wild boar… Did they and their young all go hungry?

It seems to me avoiding facing the truth, taking the “popular”, “easy” way out of every dilemma on every occasion can in the end lead to a feeling of there being something missing.

A taste of saccharine instead of honey?

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